For the Mavic 2 Pro, DJI partnered with high-end camera-maker Hasselblad to build a camera with a one-inch sensor. That’s four times larger than the image sensor on the Zoom, and the difference is striking. It’s much better in low-light, and its max ISO (that’s the sensor’s sensitivity) jumps from 3200 to 12,800. The Pro can also shoot 10-bit 4K Dlog-M at 100Mbps. That’s basically like shooting RAW video. When you first look at the footage it’s kind of flat and gray, but it’s retaining a huge amount of information. All you have to do a slap a LUT (a package of color-grading presets, basically) on it in Premiere or Final Cut and it looks incredibly professional. Full Wired Review about the drone here: https://www.wired.com/review/review-dji-mavic-2-pro/
Former TEDx event producer, Cinematographer on Obama for America YouTube team, EPK producer and now drone pilot. I also wrote a book called 'How to make videos that influence people' which is on Amazon. More on my LinkedIn profile. https://www.linkedin.com/in/adrianroup/